I Hear You

Irish Times: Books to Look Out for in 2025

This collection of stories, written especially for BBC Radio 4, includes a ten-part sequence: 'The Circus', set around Cliftonville Circus, where five roads meet in North Belfast.

It's five minutes from the nationalist Troubles flashpoint of Ardoyne, where Paul grew up. It's close to Holy Cross Girls' School, where protests targeting primary school children drew international attention. The Circus is situated in the poorest part of Belfast – it is also the most divided.

Each road leads to a different area – a different class – a different religion. The Circus explores where old Belfast clashes with the new around acceptance, change, class and diversity. But this is 2024 and a fresh energy exists.

Other stories include 'Tickles', a story about a man visiting his mother in a dementia ward where he finds he is the one who had forgotten important things; 'Cuckoo', about a man's collapse and surgery – where he feels something more sinister has happened to him; and 'Daddy Christmas', where a gay man writes a letter to the son he never had.

From a son paring the bunions on his mother’s feet to a man’s soul getting sealed out of his body, and culminating in a deft interlinked cycle, the stories of I Hear You are warm, frank and unsentimental, bursting with character and idiosyncratic detail, written with Paul McVeigh’s characteristic geniality and Belfast wit.

(on previous work) How moving and stunning that story is. It's so raw and incredibly human.



(on previous work) Funny, moving, poignant. Brilliant.



(on previous work) A pearl of quality … highly original … haunting … superior.



(on previous work) A highly commendable debut, convincing in its realism.



(on previous work) His depiction of the time and place – collecting for the black babies, roller discos up the Falls – and the peculiarities of NI vernacular – gazing at girls' diddies, hoping for a lumber – is transportingly vivid. The effect is often very funny and then touching; the injustice of a line spent half in fear, the pleasure of a life lived half in laughter.



(on previous work) The summer holidays are a time of dread for Mickey Donnelly. Secondary education is looming, but the prohibitive cost of the grammar school uniform has deprived him of his best chance to escape from Belfast's turbulent Ardoyne neighbourhood. This isn't the only cloud hanging over the delightful narrator of Paul McVeigh's debut novel, however: The Good Son's early-80s backdrop is one of poverty, paranoia and violence, both sectarian and domestic, a terrifying world for a boy whose best friend is his little sister and whose favourite film is The Wizard of Oz.



Each story is told from the point of view of a different character and they vary in age, sex and sexuality, from schoolgirls to drag queens, cleaners to abused wives and even a character peaking in English as their second language. McVeigh differentiates his characters with ease and skill, using language, style and structure to make each voice individual, distinctive and ultimately believable.



McVeigh has an enviable ability to create an immediately recognisable character from a quick glance and drawing out the relationships of disparate characters from the common situations that has shaped them. While each individual story can seem like a sketch, there is an overarching plot as the events of the talent competition unravel some relationships and force others into the open. Linking the stories further, there is the common theme: the ability to create one's own family out of friendship when their own families let them down. No-one will close I Hear You without the life-affirming feeling that there are possibilities in every life. weniger anzeigen expand_less