This volume has grown over the years as a family project of Martha Harris, her two daughters Meg and Morag and her husband, Donald Meltzer. It therefore has its roots in English literature and its branches waving wildly about in psychoanalysis. It is earnestly hoped that it will reveal more problems than it will solve.



Donald Meltzer (1923-2004) was born in New York and studied medicine at Yale. After practising as a psychiatrist specialising in children and families, he moved to England to have analysis with Melanie Klein in the 1950s, and for some years was a training analyst with the British Society. He worked with both adults and children, and was innovative in the treatment of autistic children; in the treatment of children he worked closely with Esther Bick and Martha Harris whom he later married. He taught child psychiatry and psychoanalytic history at the Tavistock Clinic. He also took a special scholarly interest in art and aesthetics, based on a lifelong love of art. Meltzer taught widely and regularly in many countries, in Europe, Scandinavia, and North and South America, and his books have been published in many languages and continue to be increasingly influential in the teaching of psychoanalysis. His first book, The Psychoanalytical Process, was published by Heinemann in 1967 and was received with some suspicion (like all his books) by the psychoanalytic establishment. Subsequent books were published by Clunie Press for the Roland Harris Educational Trust which he set up together with Martha Harris (now the Harris Meltzer Trust). The Process was followed by Sexual States of Mind in 1973, Explorations in Autism in 1975; The Kleinian Development in 1978 (his lectures on Freud, Klein and Bion given to students at the Tavistock); Dream Life in 1984; The Apprehension of Beauty in 1988 (with Meg Harris Williams); and The Claustrum in 1992. Martha Harris (1919-1987) read English at University College London and then Psychology at Oxford. She taught in a Froebel Teacher Training College and was trained as a Psychologist at Guys Hospital, as a Child Psychotherapist at the Tavistock Clinic, where she was for many years responsible for the child psychotherapy training in the department of Children and Families, and as a Psychoanalyst at the British Institute of Psychoanalysis. Together with her first husband Roland Harris (a teacher) she started a pioneering schools counselling service. With her second husband Donald Meltzer she wrote a psychoanalytical model of The Child in the Family in the Community for multidisciplinary use in schools and therapeutic units.Meg Harris Williams, a writer and artist, studied English at the Universities of Cambridge and Oxford and art at the Accademia di Belle Arti in Florence, and has had a lifelong psychoanalytic education, working closely with Donald Meltzer. She has written and lectured extensively in the UK and abroad on psychoanalysis and literature. She is a visiting lecturer for AGIP and at the Tavistock Centre in London, and an Honorary Member of the Psychoanalytic Center of California. She is married with four children and lives in Farnham, Surrey.



Foreword Meg Harris Williams Introduction Donald Meltzer 1. The apprehension of beauty (1973) Donald Meltzer 2. Aesthetic conflict: its place in development Donald Meltzer 3. On first impressions Donald Meltzer 4. On aesthetic reciprocity Donald Meltzer 5. The role of the father in early development Donald Meltzer 6. The problem of violence Donald Meltzer 7. The undiscovered country: the shape of the aesthetic conflict in Hamlet Meg Harris Williams (i) The mould of form (ii) The lobby of dreams (iii) The Queen's arras (iv) The yet unknowing world 8. The place of aesthetic conflict in the analytic process Donald Meltzer 9. The retreat from aesthetic conflict: cynicism, perversity and the vulgarisation of taste Donald Meltzer 10. Recovery of the aesthetic object Donald Meltzer 11. Holding the dream: the nature of aesthetic appreciation Meg Harris Williams (i) Aesthetic appreciation through symbolic congruence (ii) Beneficence in space: Stokes on Turner (iii) On Westminster Bridge 12. The shadows in the cave and the writing on the wall Donald Meltzer Addendum I: Concerning the social basis of art Donald Meltzer and Adrian Stokes Addendum II: Mindlessness - the developmental relation of psychosomatics, hyperactivity, and hallucinosis Donald Meltzer Afterword Maria Rhode References Index