The Colony

Lena, a photographer, takes up an offer to escape to a friend's retreat on a remote Scottish island, where she meets like-minded new friends. But as birds start washing up on the beaches, and the spiritual teachings of the group become ever more consuming, Lena starts to doubt her desire to surrender her old self entirely.

Reminiscent of authors such as Shirley Jackson, Emma Cline and Sophie MacIntosh, as well as films like Midsommar and The Wickerman, this is a satirical exploration of the wellness industry, the human desire for escapism, and the ways in which we are all contagious, in the end.

The Colony offers a chilling, thought-provoking reflection on how easily utopias can become dystopias.

An enigmatic study of submission, The Colony traces the corrosive patterns of power that can ripple from one romantic relationship to the next. In doing so, Spens pairs psychological insight with a queasy fable of wellness turned sick.

(on previous work) Spens writes herself back to life – and it is a joy to behold.



(on previous work) A powerfully affecting tale of devastation and survival.



(on previous work) Spens writes beautifully about self-government … The writing is so wonderfully strong about fragility … Read it and heal; never heel to another, mind you.



(on previous work) Made up of equal parts pain, intimacy, desolation and tenderness, The Fear extracts beauty and meaning from a reckoning with great private darkness.



(on previous work) The Fear is a brave book, both in its emotional openness and honesty, as well as in its complex editorial ambition, which in the hands of a lesser writer could become incoherent. Instead, Spens elegantly segues between the affecting context of her personal life, and a strand of cultural criticism which brilliantly reframes the first quarter of our current century.



(on previous work) An at times sickeningly lucid exploration of our shadow selves, a stare into heartbreak and trauma as personal and political concerns … But despite the subject matter, The Fear isn't a depressing book. By searching in the dark places and asking herself uncomfortable questions, the author finds a strength and describes being reacquainted with forgotten parts of herself.



(on previous work) A brilliant look at the maze of personal history and how the wounds we carry will continue to make their journey through us, one way or another.



(on previous work) The Fear is an astonishing book. Spens manages to weave a hybrid tapestry, in which we move fluidly between memoir, philosophy, art and politics. The result is a book that takes us to the edge, lets us look into the abyss, makes us confront a myriad array of fears and their consequences. It is a bold, beautiful and brave book. weniger anzeigen expand_less